Brooke Grossmann
Software

5Nuke  ||  5After Effects  ||  3Fusion  ||  4SynthEyes  ||  5Boujou || 4Photoshop



Work Experience

Magnopus  ||  June 2016 – July 2016

Compositor

  • Argos (Virtual reality trailer in stereo)

 

Specular Theory  ||  May 2016 – June 2016

Compositor

  • Virtual Reality Project under NDA

 

Digital Symphony  ||  April 2016

Compositor

  • Game of Thrones

 

 Pixomondo  ||  Feb 2016 – April 2016

Compositing Supervisor

 

  • Limitless, television

Origin Digital Studios  ||  June 2014 – Feb 2016

Composting Supervisor

 

  • Limitless, television
  • Sleepy Hollow, television

 

Riverbed Media  ||  May 2014 – June 2014

Compositor

  • Mostly Ghostly 2, feature

 

EntityFX  ||  Jan 2014 – May 2014

Compositor

  • Vampire Diaries, television
  • The Originals, television

Synaptic   ||    Sept 2013 -Dec 2013

Compositing Supervisor

  • Sleepy Hollow, television

 

Framestore   ||   August 2013

Compositor

  • Beats By Dre, commercial

Prologue    ||    May. 2013

Lead Compositor

  • Expedition,Game Cinematic

 

 

Pixomondo    ||    Mar. 2011 – Apr. 2013

Lead Compositor

  • Davinci’s Demons, television
  • Revolution, television
  • Red Widow, television
  • Game of Thrones, television
  • Spring Breakers, feature
  • Fringe, television
  • A Good Day to Die Hard, feature
  • Mockingbird Lane, tv movie
  • Grimm, television
  • The Mindy Project (Pilot), television
  • The Amazing Spider-Man, feature
  • The Hunger Games, feature
  • Mission Impossible, feature
  • Terra Nova, television

 

Crazy Horse Effects    ||    Nov. 2010 – Mar. 2011

Lead Compositor

  • Water For Elephants, feature

 

Salt    ||    Sept. 2010

Compositor

  • Fox Sports Net

 

Zoic Studios    ||    July 2010 – Sept. 2010

Compositor

  • McDonald’s, commerical
  • Burlesque, commercial

 

Pixomondo    ||    May 2010 – July 2010

Compositor

  • Sucker Punch, feature

 

Public VFX    ||    May 2010

Compositor

  • GMC, commercial

 

Zoic Studios    ||    April 2010 – May 2010

Compositor

  • commercial spots

 

Prime Focus    ||    Feb. 2010 – Mar. 2010

Compositor

  • Clash of the Titans

 

Café FX    ||    Sept. 2009- Feb. 2010

Compositor

  • Alice in Wonderland

 

Flight 33 Productions    ||    Sept. 2009

Compositor

  • The Universe, television episodes

 

Crazy Horse Effects    ||    July 2008 – July 2009

Lead Compositor

  • Four Christmases, feature
  • The Road, feature
  • Chess, feature
  • 2012, feature
  • Creation, feature
  • Pacific, miniseries
  • In addition to my own assignments, supervised sequences for roughly 40 shots

 

Entity FX    ||    Feb. 2008 – July 2008

Compositor

  • Superhero, feature
    • Jumped on board during the last 4 weeks of deadline. Picked up challenging shots and was the last man standing, fixing the left over shots on the final delivery day.
  • Crime Scene 360, television
    • Worked with 3D artists, to create transitions.
  • The Spirit, feature
    • Composited 45 shots and assisted in many more. The film was shot entirely on greenscreen. We worked with both practical and 3D elements to create a smoky/hazy/snowy world for this noir-styled movie.

 

Café FX    ||    Dec. 2007 – Feb. 2008

Compositor

  • The Happening, feature
  • Street Kings, feature
    • Working with a very small team of artists, my responsibilities included, but were not limited to: compositing, matchmoving, and improving actors’ performances through the magic of warp and paint.

The Other Side/Ghost Whisperer    ||   Feb. 2007 – April 2007

2D Artist

  • The Ghost Whisperer, webisodes
    • Working from home and communicating strictly through chat and email, I was the lead artist of a two-artist team. Finaled 16 Webisodes, consisting of 30+ shots. Webisodes were aired online as an in depth story expansion to CBS television show, “The Ghost Whisperer”.

 

Zoic Studios    ||    Nov. 2007-Dec. 2007

Compositor

  • Pushing Daisies, television
  • Journey Man, television
  • American Idol, commercial
  • Remax, commercil

 

Riot    ||    June 2007 – Nov. 2007

Compositor

  • Town Creek
    • Composited very 3D heavy shots that involved changing features, adding blood, and putting wounds on animals as they moved around.

 

Moving Pixels    ||    Jan. 2007 – April 2007

2D Artist

  • Was the only 2D artist in a room of 3D artists. Helped to create nearly all textures for several national car television commercials.

 

Digital Backlot    ||    Oct. 2006-Jan. 2007

  • Mimzy, feature
  • There Will Be Blood, feature
  • Evan Almighty, feature
    • Roto, Key, Wire Removal, Compositing

 

Pixel Magic    ||    Aug. 2006 – Oct. 2006

Compositor/Matchmover

  • Deck the Halls, feature
  • 300, feature
  • Bob Bailey, feature
  • Next, feature

 

With A Twist    ||    Aug. 2006 – Sept. 2006

Matchmover

  • Buick and Lexus commercials
    • Used Boujou v.3 and Syntheyes to matchmove approximately 15 shots.

 

One Hour VFX    ||    Jan. 2006 – Mar. 2006

Compositor

  • Hollow Man 2
    • Worked in Adobe After Effects v.7 for compositing and rotoscoping. Composited 10 shots and collaborated on roughly 30 additional shots.

 

Uncharted Territory    ||    July 2006 – Nov. 2006

Compositor

  • The Triangle, mini-series
  • Used Fusion 5 for compositing, rotoscoping and wire removal. Also used Boujou 3 for 3D tracking/matchmoving. Trained numerous coworkers in these programs. Saw approximately 25 – 35 shots through completion from beginning to end and had a hand in numerous others.

 

The Alaska Club    ||    Oct. 2004 – July 2006

Marketing Director

  • Was responsible for all in-house marketing, including conceptualization and execution. Designed and printed a monthly newsletter, as well as numerous brochures, various posters, forms, and other miscellaneous items. Was also responsible for the department budget. Used Adobe Illustrator CS2, Adobe PhotoShop CS2 and Quark v.6.5.

 

Fairbanks Daily News Miner    ||    Oct. 2001 – Oct. 2004

Graphic Artist

  • Worked in the design/layout department of second largest newspaper in the state of Alaska. Duties included working with sales representatives and clients to create effective print advertising. Used Adobe PhotoShop v. 7, Adobe Illustrator v.10 and MultiAd Creator v.3.5. Worked under constant and arduous deadlines. Learned to take creative ideas and produce professional quality advertisements in minimal turn-around time.

 





Education

University of Alaska, Anchorage – Associates of Arts, 1998